Composer Rafiq Bhatia tackled one of the city’s oldest and most entrenched histories that has been eroded—its name. Enshrined in the very name of the city—and of the state—the word “Indian” is all but invisible. Yet throughout Indianapolis, there are conspicuously few traces of the city’s namesake, or reminders of the forcible, state-sponsored removal that drove Native Americans from their traditional homelands. In Name is about the responsibility to memory—and the fight to reclaim erased histories. In Name is an aural monument comprised of a single acoustic guitar thread (the guitar itself an instrument of Mission efforts used to convert Indigenous people to Christianity). In this piece there is a grounding confrontation with the legacy of brutal settler colonialism, and a stoic reminder of the danger that exceptionalism poses in the present moment. More precisely, it is a rumination on how meanings and values can be washed off of a word—and how a person may repeat the name of this city a million times without pausing to think about from whom was it stolen.
I don't need every Kronos performance to be one that shakes me to my essence, but I do always want them to be interesting. Kronos has been my gateway to discovering a lot of composers I never knew of before, so this one is worth checking out. Richard Weems
A collection of tracks from the singer and multi-disciplinary artist's 111 collaboration series, featuring KMRU, Laraaji, and others. Bandcamp New & Notable Apr 25, 2024